Let’s all enjoy the moment when, in 1958, Francois Truffaut made a sudden leap from high art to low neckline. In a graceful segue, France’s premier filmmaker and critic, pivoted from a quote by Guillaume Apollonaire (France’s great surrealist poet of World War I), to Howard Hughes’ obsessive presentation of Jane Russell’s nipples. Now that is an impressive display of dexterity! Shall we? Mais Oui!
The Postscript from the end of Truffaut’s Von Sternberg Essay in The Films in My Life, on Howard Hughes’ Production Notes:
. . .Paraphrasing Guillaume Apollinaire without realizing it (“Your breasts are the only shells I love”*), Hughes demonstrates in the following memo what happens when an actress’s brassiere undergoes aerodynamic design analytics: Continue reading